I’m getting an avalanche of emails and messages from folks wanting me to talk about small and indie presses, more about self-pub, if it’s really so bad in trad, how to get a reputable agent, etc., etc., onward, amen. It’s awful rough out there right now and there is no safe path; there is no magic dingus which will make one a successful author. The idea that there’s a sooper-sekrit handshake or a quick algorithm trick to achieve fame, fortune, and babes on the path of publishing is a poverty tax akin to the lottery–it makes desperate people easier to fleece by holding out a hope that would not be nearly so enticing if our entire society wasn’t straining under the massive, world-eating greed of a few sociopaths. Everything wrong in publishing is a symptom of deeper problems.
The good news is, sunshine and articulation makes solutions a lot more possible; one cannot solve a quandary without knowing its dimensions. The bad news is, it’ll take a lot of collective action to solve a tangle this intractable, and I don’t hold out a lot of hope it’ll happen in any systematic fashion.
I am not pessimistic about publishing, all evidence to the contrary notwithstanding. (I did Bsky / Mastodon thread on that fact yesterday.) At the same time I mourn for what we’re losing, what we will lose as all this shakes out–whenever that happens. In the end, all I can do is keep working.
Staggering out with Boxnoggin for his first backyard break of the day, I was surprised by the softness of the air. We’re well past the tipping point, it’s abso-tively poso-lutely spring. Maybe the eclipse shook some things loose? We only got twenty percent at totality, and the shadows had funny weight. The birds were going somewhat mad–they knew something was up–and Boxnoggin only settled after the moon had moved to go about its business. The neighborhood cats seemed to be aware of the event as well, quite a few of them prowling in unaccustomed places at unaccustomed hours until ‘it ’twas past.
I can see why ancient folk thought eclipses were celestial anger and anyone who could predict them utterly magical.
Today is probably for cutting an epub of The Highlands War‘s first half for subscribers, as a treat. There’s also a tonne of business correspondence to catch up on and I think I have my rhythm back for the serial. There needs to be another couple dream sequences and then the next battle; soon I’ll be able to move on from this “hot” revision–the type that happens when a book is unfinished but won’t be for long, getting everything in place for the push to the end. Very soon I’ll have another zero draft to my name.
I’m looking forward to it. Of course that will touch off a round of other revisions, since Chained Knight and Gamble were both put on back burners while Doom of the Elder‘s zero got itself settled. And there’s the anthologies to get stuffed through the pipeline as well…
The hell of all this is, I love my job. I was made and born to tell stories, it’s what the gods intended me for. I wish the greed of a few rich folk didn’t make it so bloody difficult. This could be so much easier for everyone–and imagine the explosion of wonderful art we’d have in every direction and format, if that greed were defanged! It would be lovely, wouldn’t it.
In the meantime, I just keep going. There really doesn’t seem much other option, and in any case Boxnoggin wants walkies again so it’s time to grab some toast and get my earbuds.
I’ve got writing to get to.