Crossposted to the Deadline Dames. The Dame Smackdown continues apace, I am told we are neck and neck. So exciting!
I was asked earlier today what I’m reading. I do think that in order to write, one must read. You learn so much from seeing how other people choose to string words together. Reading gives you an idea of tone and pacing; it helps you distinguish underlying structure, and every once in a while it gives you some pretty good thrills.
I tend not to read in the genre I’m currently writing in–for example, if I’m writing YA, I can’t read other YAs; if I’m working on an urban fantasy book I can’t read another one. Something about reading in the genre I’m writing in at the moment induces burnout in a big way. I am told this is not so for other writers, but it’s that way for me. So while I’m writing fiction I tend to read a lot of nonfiction or fiction in other genres; I have to wait until I’m working on trunk novels or in revision before I can read in the genres I work in.
So, here are the books I’m working on now:
* Unlawful Contact, Pamela Clare My writing partner tells me Clare’s heroes are almost as effed-up as Anne Stuart’s. I love me a good self-loathing hero, and it’s refreshing to read a romance with no paranormal overtones. While I can almost never write a romance without a paranormal element, I do love to read them. I’m only about thirty pages in, but the prognosis is good. Clare’s craft is solid; I am almost never jolted out of the story by the need to reach for my red pen.
* Before Stalingrad, David Glantz The battle of Stalingrad is one of my particular interests; it’s an intensification of my interest in the Eastern Front in both world wars. Not too long ago my writing partner called me and said, “I know you don’t watch TV…but there’s something on Stalingrad on PBS.” I was incredibly excited until I realized I hadn’t watched the telly in so long our set wouldn’t even pick up OPB. *sadface* But then I found the show she was talking about on the Intertubes, and harmony was restored. And what do you know–the show introduced me to David Glantz, who I hadn’t heard of before. (How is that possible? I’m wondering now. But better late than never.) So I’m indulging in a few of his books, and so far have not been disappointed one bit.
* The Shadow of the Wind, Carlos Ruiz Zafon I keep hearing a lot about this book, so I’m giving it a whirl. I’m only three pages in, so it’s too soon to tell.
* Sensational Designs: The Cultural Work of American Fiction, 1790-1860, Jane Tompkins I loved Tompkins’s book about the Western, and I occasionally read lit crit just for the fun of it. (The Selkie tells me I’m mad, but what does she know? She’s just my writing partner.) Anyway, this is my second time through this particular book, I’m slowing down and really picking apart sentences the way I didn’t do the first time. Tompkins’s contention that you can’t divorce a novel and the experience of reading it from cultural and social expectations and assumptions is pretty thought-provoking.
* A People’s Tragedy: The Russian Revolution, 1891-1924, Orlando Figes Well, after reading Robert Service’s biographies of Lenin, Trotsky, and Stalin one after another, I really figured there was nothing for it but to read about the wider context of the world they operated in. Whenever I tell people that I’m interested in the Russian Revolution I get the same response: “I try reading Russian history, but then I stop. It’s so…depressing.” Well, yeah. Not for the faint of heart, I assure you. Figes has nice clear prose and a way of untangling events that doesn’t make me feel stupid; plus he sticks with one name for one person instead of doing a fricking Tolstoy and giving you first name, patronymic, last name, and nicknames all at different times so you think one character is four effing people. It really is sometimes the little things that make the difference.
So that’s what I’m reading now. Very little of it informs the book in progress, which is a YA. I tried picking up a YA the other day, but I could only get a couple sentences in before my eyes glazed over and my head started to hurt. I don’t know why I can’t read in whatever genre I’m writing in at the moment; I think my Muse needs a varied diet and likes to separate work and play. Who knows?
Anyway, dear Reader, that’s the answer to that question. You can check out my Goodreads page for more updates; and I’ll leave you with a question of my own: what are you reading right now, and why? What do you like (or not like) about it?
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