Apparently I found the limits of my patience last week. Or at least, the limits of my body’s patience with stress.
For literal years I have been fighting alone on behalf of a certain series. It’s been positively nightmarish, both for reasons unavoidable (pandemic, corporate nonsense) and completely avoidable (contempt displayed for the work by those who should be its advocates, etc.). I’ve tried to be flexible, professional, resilient, calm. And finally last week, a straw landed upon the camel’s back.
The resultant snap probably registered on the Richter scale. And it happened after nearly a week of trying to resurrect the final book in said series while being unable to sleep plus suffering the worst case of stress nausea I’ve ever had the displeasure of. Which is saying something; morning sickness, sertraline adjustment, even buying the house was nothing compared to this. I still can’t really eat unless I disassociate, and sleep has been rather an impossibility. I hyperfocused on getting Chained Knight revised during the day for most of the week, with breaks to try opening the master file for the series in question, and each time I did the latter produced fits of nausea so intense I had to eventually keep a bowl next to the desk. At night I lay in bed and trembled, too nervous and vomitous to sleep. By Friday I was entirely shot, and that’s when the whole thing broke.
The hell of it is that I do want to write this book; I long to finish the series. These are books of my heart and what I consider masterworks. But certain issues in the publication process have been so nightmarish my very body has revolted, and there’s been no help in sight. I’m utterly alone in this fight, and it’s beginning to wear a bit. I usually try not to say anything at all, for publishing does its mightiest to convince writers that any faint complaint or refusal to toe even the most abusive of lines will be met with swift blacklisting–or worse.
I just want to write my stories and pay my bills, dammit. And that’s all I can say about the whole goddamn thing.
A winter storm moved in Saturday, after threatening for several days. Lots of powdery snow blowing while the wind gusted and rattled, which suited my mood. I settled on the couch with Boxnoggin and crawled into a paperback of ‘Salem’s Lot–about the third one I’ve owned, since I’ve read two to pieces. (It’s not the only King I’ve read to pieces; I think I’m on my fourth Rose Madder paperback?) I don’t know what it says that my comfort read ended up being Writer vs. Vampire, but it felt…good, to have another world to inhabit and a situation one could at least take action in, instead of simply waiting helplessly for the worst. Unfortunately the book only held me for about a day, but by then I could concentrate a little better and went back to Chaucer.
I had left in the middle of the Wife of Bath’s tale, and now I see why she’s so famous. I love her, even if she’s written by somewhat of a misogynist, and she seems to be an example of what Cleolinda Jones calls “meta-characters”–those who seem not to be created by the author so much as hailing from some other place and springing to life on the page whether the author will or no. One of the hallmarks of meta-characters is that while the author might make them say or do certain things, the characters themselves have a genius for arranging things so that the reader’s overall impression may be far different than what the author intends. A prime example of this is Tolkien’s Eowyn, who shines even through the Jackson movies’ betrayal of her character. (That’s a rant for another day.)
I found myself smiling despite the nausea at certain of the Wife of Bath’s sallies, even while I wished she would get to the damn point. And when she did finish her tale I felt like cheering.
The storm has settled into relative calm and subzero temperatures, with freezing rain in the near forecast. I’ve also read the Friar’s and Summoner’s Tales, and was in the fourth bit of the Clerk’s Tale last night when I felt like I could sleep again. Even across centuries I can see the Wife of Bath’s expression as the Clerk starts listing Griselda’s many patiences. To be fair Chaucer gave the Wife space to be heroine in her own story, and inserts some sly observations in the Clerk’s that make it clear he’s drawing a deliberate contrast and doing it with the Clerk’s own tools of rhetoric. I actually cocked my head last night at a passage and thought, “Why, Geoffrey, I see what you’re doing, you magnificent bastard.”
And Boxnoggin snored wetly against my shoulder at that point, for he was dreaming. He was perplexed by the snow, now hates the cold on his tender paws, yet has forgotten any other weather exists, for lo! he is a dog of Very Little Brane and Very Much Instinct.
I have The Stand (unabridged) queued up for when Geoffrey is finished, and after that Pekka Hamalainen’s Lakota America. Or I might decide to go with the Hamalainen first, or something else entirely. It’s all up in the air. I’ve been unable to work since sending the Chained Knight revision off, and that bothers me a great deal as well. Fortunately a couple friends have been keeping me on the rails, so far as I can be kept–you know who you are, and thank you.
So. Everything is shut down for the holiday and the weather. Boxnoggin will get only half a block’s worth of walkies, just enough to make a nod to habit while keeping his paws from freezing. I’m going to try some actual work today, but if that doesn’t happen it’ll be right back to the Clerk while imagining the Wife of Bath rolling her eyes.
At least I have that.