Waffles and Huck

Steelflower in Snow

The Princess beat me at resurrecting this morning, so she made me coffee; also, a crow has decided that the gutter right over my office window is the premium perch for keeping an eye on the backyard. I’m most of the way through Holland’s The Allies Strike Back, too, though I’ll have to grab book one of the trilogy from the library next. I dislike reading history out of order, but there’s nothing to be done for it.

Yesterday was pure Monday, ameliorated only by the prospect of waffles for dinner1 and the fact that HOOD really isn’t a bad story. When I finished the zero of Season One, I was feeling kind of low and like I wouldn’t be able to pull the series off, but now I’m much more sanguine. There’s one more revise after this, but first I’ve got to get through the initial pass. Thankfully, layering in more details and adding things I didn’t know when I started writing is the sum of the edits; structurally, the book holds up rather well.

I’m also reading Huckleberry Finn with the Princess. I’ve halted at the point where the king and duke show up, mostly because that’s when the narrative takes a turn and I want all my faculties about me during the Nonesuch and Mary Jane bits. If I have a favorite novel, the honor must go to Jane Eyre, but Huck is definitely in the top five2. One of the best school papers I ever wrote was a monstrous (somewhere around twenty pages, single-spaced, typed on a balky old manual typewriter) examination of the Mississippi as a symbol. I’m sure the teachers were not at all prepared for what they got, but I’d found a list purporting to be the right way to write college essays and followed it to the letter. Not only did I approach every damn thing the list said, I threw in all the alternatives they had listed under the main paragraph idea breakdowns.

I was a real joy to teach, I’m sure. But I got an A on that fucking paper.

This particular critical edition has the raftsmen’s scene in it, and I can see why Twain (or his editor) excised it; I can also see why Twain would want it in. And of course the breathless racism is jarring. Every time I read the n-word it’s like a punch to the gut, and while I still admire the scene where Huck says, “All right, then, I’ll go to hell,”3 it doesn’t work unless Huck absolutely believes that the right thing to do is to turn Jim in. Even the right decision is suspect and provisional in a racist culture, and it’s sobering to unpick the logical consequences and knock-on effects.

And to see how little has changed since Twain wrote in the aftermath of the Civil War. I don’t quite see Huck as an answer to the war, though. Twain was struggling with endemic issues much as Dickens did (though with much more humor, it must be said) but the lacunae are huge. It makes one wonder about one’s own blind spots, swimming in different (but directly descended) cultural waters.

Or at least, it should, and if it doesn’t you should make it.

I tend not to halt to allow fellow readers to catch up while book-clubbing. Instead, I swallow the book whole, and if my fellow clubbers fall behind I go back and read certain bits to keep my memory fresh. So we’ll see how it goes. The Princess has the same edition I do, and wants to read critically, so it’s much slower for her than for me. I have about twenty years’ worth of skill she doesn’t, but on the other hand, she sees things I don’t, so I’m really looking forward to her analysis.

For a little while, after finishing Poison Prince revisions, I crawled into a movie or TV show at the end of the day, just stuffing my head with visuals to get my brain to stop chewing at itself. Now I’m in the secondary phase of recovery, where I’m stuffing text in; I’m crawling to the couch with a book instead. The kids are somewhat downcast, because watching movies with Mum is apparently pretty hilarious, but they’ll bring their Switches out and play quietly while I read, and every once in a while someone will say something amusing and we’ll all laugh. It’s a lovely way to spend an evening.

I just have to get a full day’s work in before I can get there, which means I need to get out the damn door and run. Breakfast hasn’t quite settled but at least I’m pretty sure I won’t lose my coffee if I head out, and that’s the important thing.

Over and out, my dears.

Epic Fantasy Cake

The day I finished The Poison Prince‘s first-draft revision, I could not word. I was reduced to pointing and going, “The…the thing, that thing,” until one of the kids supplied the proper word. (Which is, not gonna lie, a type of hell for a writer, not to be able to find a damn word.)

So, of course, the Princess decided to bake me a cake. She even decorated it. “It’s a good chance to practice my tip work,” she said, modestly.” It was super tasty and I even had cake for breakfast the following morning.

I love being a writer, but I love being a mother even more. It’s hard, sleep-deprived work in the beginning, but the rewards once one gets over the psychotic break induced by lack of REM are amazing.

Hives and HARMONY

I got out for a run while it was still cool this morning, or at least, cool-ish. Still, I couldn’t take the dogs; the poor things do even worse with heat than I do. They’re unhappy, but it’s better than them getting prostrated by the damn temperature.

They may also be cranky because I’m cranky, having awakened covered with hives. Last night I made the distinct mistake of drinking some red wine–a completely forgivable error, you know–and watching the Assassin’s Creed movie. Frankly, it would have been a lot better if the whole movie had been alt-history instead of alt-historical and modern uneasily bolted together. I could very much have watched a dirty Fassbender lisping Castilian all the way through, thank you and amen.

It still might have turned out all right, except the heat was really bad last night. Normally, up here in the PNW, the heat breaks in the evening and we get relatively cool nights. When that doesn’t happen, the cumulative stress makes my skin try to eat itself.

But it’s all good. I got out for a run and sweated out the worst of the stress, and have rinsed the rest off and made coffee. Even the bees were giving me somewhat of a wide berth today, bumbling over my hands and shoulders instead of nesting in my hair or trying to crawl into my mouth. Maybe they could smell the irritation coming off me in waves.

At least I’m back at work, revising HOOD‘s Season One. We’re coming up on the end of that, and I’ve got so much fun planned for Season Two, you just don’t even know. It’s going to be so much fun, and I have the last season in my head as well. It took longer than I liked to recover from revisions on The Poison Prince, but at least I have an answer for one of the knottiest plot problems in the third book of that series.

Said answer occurred to me quite naturally as I woke up this morning, my skin itching like a hive and my temper frayed almost past bearing. I had consigned it to the great engines beneath the floor of my conscious self, pretty sure that the Muse had an answer she’d give in due time.

Fellow writers often say you never learn how to write books more easily, you just learn how to write this one specific book you’re working on. That’s true as far as it goes, but one of the things an experienced writer can learn is when to consign a question to the great engines and leave it alone until the solution bursts forth, full-fledged, from said writer’s forehead. After a while you can feel the things working beneath the floorboards, chewing and grinding, and can even sense with something’s going to swell and burst.

It’s a particular type of relaxed concentration married to the willingness to keep yourself distracted with other work, with a large dash of learning to trust the Muse. I know I anthropomorphize the creative process, but it helps if I think I’m consigning the problem to her rather than to something impersonal.

So much of this career is learning how to game yourself. How to get the wild thing inside your head that’s fucking up your life and snap the traces on to put it to plow.

Anyway, I should remind you that if you want to read the first bit of Harmony for free, you can do so right here. Also, I’m hearing that some readers are experiencing quality issues with the Amazon-bought paperbacks of that book; if you are, please contact Amazon customer service. When Amazon folded CreateSpace in, the quality of their printing took a steep dive; this is something I have no control over. I did choose to offer the Harmony trade paperback through KDP instead of IngramSpark’s extended distribution for reader convenience, but if it’s going to mean this sort of hassle I won’t ever do so again.

I suppose I should finish my coffee, check the focaccia dough–of course, it’s going to be umpty-scrump degrees outside and I’m baking, because I lack all sorts of smarts–and get the subscriber perks for the week out the door. That, along with revisions, should keep me busy enough to stay out of trouble.

At least, for a little while. Over and out.

Hot Ham Stamper

It’s supposed to be some ungodly-number-of-degrees Fahrenheit today, so I got out the door early for my run without taking either dog. They were vastly displeased by this, but the last thing I need is to carry home a heatstruck hound, or worse, two of them. It was already 70F when I hit the pavement, and the wind holds a promise of a day likely to give one a rash.

I hate the goddamn heat.

Anyway, I’ve been stuffing my head full of creative fuel for the past few days, after taking the weekend off to recover from The Poison Prince‘s revision into respectable first-draft form. I’m still not officially back at work, I’m only in the office for correspondence, but I’m probably going to poke at a story or two anyway.

My writing partner sent me this article about fake truffles earlier today, and it’s just so gonzo weird. Mushroom mafias! Fake olive oil! And, my personal favorite, counterfeit ham stamper.

I keep giggling and muttering “counterfeit ham stamper” to myself, because I’m twelve inside and if I don’t amuse myself, who will? It’s just so easy to reduce me to helpless giggles; I swear if I ever have a nemesis, that’s going to be weaponized for my downfall.

Anyway. Despite having a virtual crown of bees by the time I slowed down (they decided to peel off in search of a flowering bush or two when I shifted to a walk) I came home with no dead insects or branches in my hair. I am super grateful for that, even if just throwing the mess in a ponytail means more trouble when I attend to untangling later. There are a few grey hairs coming in, and they have a distinct waviness to them, which is all to the good. I’ve wanted curly grey hair forever, I think I’ll rock it with my eyes and heavy eyeliner. Good to know my body’s on track.

Stay cool out there, my ducklings, and hydrate like you mean it. I’ve got yet more cool things to stuff into my head so I can spin stories out of the detritus of the passage.

Over and out.

Fire Bad, Books Pretty

Rattlesnake Wind

I finished first-draft revisions of The Poison Prince on Saturday, and spent the rest of the weekend almost nonverbal and staring. I was afraid I’d busted my word-makers, because Saturday night I pointed at a packet of bread and could not, for the life of me, figure out what the motherfucker was called. The kids stepped in, of course, and were highly amused at having to do so. I felt like a three-year-old, pointing and making helpless sounds until someone supplied the word.

It’s much better now, though I found myself staring at the plastic bin I keep my morning gruel mix in (thank you, Bob’s Red Mill, for being awesome) and thinking, milk bits? No, that’s not it…plant bits? Ground-up…Wheaties…what the fuck?, before I finally got to “SEVEN GRAIN CEREAL WITH FLAXSEED,” which I bellowed loudly enough (in tones of complete triumph) to give both dogs somewhat of a turn.

At least I knew what to call coffee. Whether it’s “java” or “precious life-giving fluid that makes the murder retreat,” it’s named correctly, amen and thank you.

So Poison Prince is safely with the editor, and I can return to HOOD. I’m not going to push myself too hard today, since I’m out of the office (and consequently not answering anything even remotely close to work emails or calls) through tomorrow, I figure I’ll just poke at Season Two and also poke around to see what I want to finish next. There’s the storm-god-and-the-witch tale, or the sort-of-Assassin’s-Creed Victorian one, or the profiler-and-the-codependent, or the vampire reaper. It’s the last that interests me the most. I’ve been writing healers for a while, it feels like I need to go back to kickass bitches, and there’s not much more kickass than the woman they call in for supernatural law enforcement. I’m fascinated by the thought of what a society of near-immortals would consider as consisting of law enforcement or capital punishment, and how they would treat the members responsible for dispensing such.

Like, what happens when you’re a relatively young superhuman thing, who remembers your human days but are so gifted you’ve been tapped to basically commit state-sanctioned murder on a regular basis? What would that do to a person? What kind of person would survive that, and how would they get through it–especially if they run across something or someone most of their society would kill to own? Like, say, a young kid with the power to let a Reaper walk in the daylight?

It might not go anywhere, but it’s been a while since I wrote a protector instead of a healer, and I think I’d like to do it again. I’d have to put some deep thought into the rules of the world, especially the engagement with mortal beings. Which sounds like a pleasant way to spend my days off, along with reading.

I finished Max Hasting’s Vietnam: An Epic Tragedy over the weekend, which focused largely on the American experience. Then again, the subtitle makes it clear it’s 1945-1975, and America was the elephant stamping around most during that time, and Hastings is clear upon the point that Vietnamese archives and other primary sources are beyond the reach of most if not all Western scholars, so there are good reasons for the lacunae. Still, my heart aches.

In any case, it’s a warm morning, and I’ve got to get out before it gets worse. At least I have a little time to breath before the next project heats up. I can almost feel the wrapping going back onto my exposed nerves; pushing myself at white heat for two projects in a row will only be a choice worth castigating myself for if I don’t pay attention to recovery time.

Remember to treat yourself gently between projects, my dears. It saves you from lost time and crappy creative choices down the road, an outcome devoutly to be wished for. And, now that I’ve given you that advice, I’m going to go try and take it myself.

Over and out.

Body Detente

So I wrote out the end of the Battle of the Rhodies yesterday…and WordPress promptly ate it. No amount of weeping or digging through caches would find it. Autosave isn’t a selling point if it doesn’t work.

Suffice to say the entire thing went through Dame Barda!Squirl losing a bit of her tail fluff, Boxnoggin falling on Miss B not once but twice in the process of chasing her, and me having to hold a squirming B in my lap while I picked out bits of squirrel hair flossing her front teeth. And, true to form, I was barefoot, screaming, and uncaffeinated. (Yesterday’s post was a lot funnier, but after losing 900+ words of squirrelterror, I’m just not in the mood.)

I ask you, have you ever picked wiry rodent hair out of your dog’s teeth while she grins, well pleased with herself, and tries to wriggle away? It’s one of the gods’ little joys in life, apparently1

Anyway, that set the tone for the entire day. I managed to get seven Poison Prince scenes revised, so at least there was that. As soon as I get that book off to the editor, I swear I’m going to spend a weekend doing nothing but staring at the walls–just like last weekend, I guess. I’m in a pattern of burning myself down to wire and then re-wrapping my insulation, over and over again.2

It gets the books done, though, so I can’t complain. At least, I can’t complain much.

Today is all revisions, all the time, with only short breaks for a run, a shower, and the constant need to feed and coddle this body of mine. Said body has carried me, mostly uncomplaining, for a number of years now, and though I didn’t treat it well in my youth, I’m slowly beginning to approach a detente with it. My frustration at having to stop working to fill it with fuel or dump excess waste is sharp and total, but rarely lasts long.

I’m getting to the point where I resent anything taking me away from the work. Except the kids or the dogs, they get a pass. Otherwise, I’d rather write than eat, sleep, or any number of other things humans are forced to do at regular intervals.

Ah well. Sooner or later I’ll shed this coil like a butterfly, and perhaps there will be books where I’m going next. If not, then by the gods, I’ll make them.

Over and out.

Battle of the Rhodies, Part I

Seems like May has one or two nasty surprises left for me, but by the goddamn power of Greyskull and caffeine, I shall prevail.

If you’re looking for the newest book, check out the Harmony page. You’ll find an updated listing of where to buy it. I also have a surprise coming in June, so that’ll be nice.

It’s a cloudy morning and I have to get out before the sun burns off the marine layer. Getting heatstruck robs me of several days’ worth of working time, and the dogs aren’t fond of too much sun either. Oh sure, they’ll bask–but Boxnoggin has such a slick dark coat, he soaks up heat like a sponge. B’s undercoat traps air and keeps her relatively cool, but still, it can only do so much.

Anyway, I am lingering to tell you about something that happened this morning. And yes, it involves an arboreal rodent.

Picture your lovely Narrator, pre-caffeinated and blinking, taking the dogs out for their post-sleep unloading of bladder, bowels, and any other passage that requires it. They rocketed down the stairs into the yard, I stayed on the deck and tried to achieve consciousness through the fog that is Before Coffee. I heard a faint scratching but ignored it, all my attention on the fuzzy little assholes choosing just the perfect spot to evacuate.

It wasn’t until Boxnoggin paused in the middle of the yard, one paw lifted (he is a very catlike dog) and stared up at the deck that a vague unease penetrated my usual morning stupor. I thought he was looking at me for direction, and beckoned him to come up the damn stairs for breakfast.

Then I realized he wasn’t looking at me. Well, he kind of was, but mostly, he was looking past me, and up. And up, and up.

I heard that faint skritch-skritch again, and turned with the slowness of a woman suspecting a nightmare.

There, perched upon my roof, was a squirrel. She was a big bitch too–I say bitch partly with admiration, for reasons you, dear Reader, will soon discover and partly because it’s technically correct1.

She had her head turned sideways, watching me with a prey animal’s peripheral vision, and I stared for a few seconds, my brain struggling to catch up. Finally, I gathered my wits, and said, “Good morning.”

Look, I was perfectly polite, especially considering my history with the Knights of the Nut Trees. Unfortunately, I think Lady Barda–for so I have christened this fine dame–was a bit startled at being greeted directly, because she took off across the roof to my left with a scrabble of claws and a flick of her tail.

If that had been the entire interaction, we both would have considered ourselves lucky. But Boxnoggin chose that moment to burst into frenzied motion, barking and heading up the deck stairs in a flurry of fur, nails, furiously wagging tail, and INCREDIBLE NOISE.

I think that may be why Big Barda decided the wide open acres of the roof would not provide safety. She’d probably dropped there from one of the firs and was looking for a snack in the gutters–they hide everything in there, the little fuzzy bastards–but she had neglected Rule One of assassinations and squirrel antics:

ALWAYS KNOW YOUR ESCAPE ROUTE.

She didn’t have many options–vertical gutterslides, but those are hidden from the roof itself; the chimney, but that’s a dead end unless she wants to end up in my fireplace (Christ please no); the apple tree, but that’s a big leap even for a flying rodent. And then there was what I realized in retrospect was the only choice.

The rhododendrons.

There are some in front, of course, but she was on the roof’s reverse slope, so artillery and the front bushes were safe from her depredations. The two in the back, however, were a long but not impossible leap, and have the added benefit of leaves and flowers to provide cover. When you’re startled in the middle of a wide expanse, of course you start running for the treeline.

So she did. She hopped the gutter and pushed off from its far lip, sailed like Supergirl in a graceful arc, and crashed into the biggest of the rhododendrons with an explosion of twig-snapping and flower-shaking.

Squirrel!Barda made the jump, which was great.

Unfortunately, the noise alerted not just Boxnoggin, who turned himself inside out reversing course to scrabble down the stairs he’d just climbed, but also Miss B, who was across the yard and had just finished her morning wee.

In other words, B was feeling considerably lighter, and the noise had warned her of an intruder. She clearly didn’t know whether it was fire, flood, or invasion, but her elderly self was certain, in one blinding instant, that she had been called upon to ride to Gondor.

And all I could manage was a faint, “Oh Christ no…” as Boxnoggin reached the foot of the stairs and took the hard right towards the rhodies. B’s haunches rose, and she took off like a bullet.

It still might have turned out all right, if not for one small problem.

Barda is a very large squirrel, and that much mass at that much velocity was too much for her chosen landing-branch to take.

TO BE CONTINUED…