It’s another Soundtrack Monday! And I have a lovely piece for you today, my friends.
I just finished the zero draft of Rook’s Rose, and this piece was quite integral to the writing of the entire serial. Hans Zimmer is pretty reliable writing music for me, and the Chevaliers de Sangreal track from the Da Vinci Code movie reliably got me into Gemma and Avery’s world each time. It’s a stirring piece, and given that I’m working with some of the same conspiracy theories and historical stuff (albeit very loosely, as usual) it hits a nice sweet spot.
I often see a smoke-and fogbound New Rome while listening to it, perhaps with the Rook and Miss Dove doing their running-across rooftops thing. It’s very cinematic, but there’s also a love theme in it as well. Avery Black knows what he wants very early on in the entire situation, while Gemma takes a while to come around. Mostly because she has her own problems to solve, as heroines do; if there’s music playing during the crossing-the-Channel scene near the end–or the end credits, which I do see in my head for some books–this is it.
Anyway, the whole soundtrack to the serial can be found here. I think it’s achieved its final fighting form since I’m done with the brute creation work of Book 2. And my brain still resembles pudding at the moment, so I’ll stop here.