I began poking at HOOD–that’s the Robin Hood in Space story–yesterday. Frankly it was a relief to work on something that wasn’t Maiden’s Blade or Atlanta Bound, not because I dislike them, but because a new obsession is a good way to get rid of old ones and I need time off from both stories if I’m going to be able to revise them properly later.
At the same time, shifting my engines from one story to the next is always difficult. I have to slow (or speed) the flywheel inside my head to the proper speed for the new story, and make the teeth fit so it will pull with the minimum of grinding. It’s a matter, as always, of sitting and picking, picking, picking, until an internal click happens and the story starts to slide out through my fingertips in fits and starts. Yesterday, it was the name of Maid Marian’s spaceship that triggered the click. I hadn’t even realized it was a necessary component.
A funny thing about writing stories, at least for me, is that the way is hardly ever straight and broad. Everything happens in ellipses. So, I spent my run yesterday thinking about a particular scene that involves a sort of speeder race (Maid Marian is a woman of many talents, indeed) and the question of her spaceship’s name wasn’t even on the horizon. But it was a long chain of thought from the speeder-race scene, which may or may not make it into the book, to Marah Madán’s introductory scene, where she’s skinning her knuckles in her ship’s engine room and contemplating a frozen death in the wide reaches of space if she can’t get things working again, involving (among other things) how to get into and out of a gravity well, faster-than-light messaging, whether the book’s main setting should be a space station rather than a planetary system, how wartime rationing loosens after victory or defeat, and on and on until suddenly, staring into the distance, it occurred to me that the ship’s name was Ivanhoe and the click sounded.
Consequently, I fell into the book and almost missed dinner; thankfully, it was the Princess’s night to deal with that problem. The dogs were dancing with impatience, thinking that perhaps their servant-goddess had forgotten the Magic Foodtime. Which means I surfaced from writing Guy of Gisbourne’s intro to find Odd Trundles’s long, very disconcertingly warm tongue curling around my ankle. I’m not sure whether he was asking for my attention, or just obeying his usual habit of licking any patch of bare skin he finds, or realizing I’m made of meat. Consequently, I hurried to fill the bowls with kibble, and was a little miffed that I couldn’t jump right back into the book.
Today is going to be all about Hood. And Harmony‘s revisions. I have a couple comic-book scripts I should start outlining, too. And I’m sure edits for Rattlesnake Wind are going to drop anytime now. Recovery is over, it’s on to the next.
It pleases me. There are always more stories, they line up around the block, some standing patiently, others elbowing. What’s in short supply is the time and effort needed to sit and let them come through. That time and effort needs to be guarded like a dragon hoard. Protect your writing time, chickadees, your stories need it.
I’d better get some more coffee and get back to work.