This is going to be a post tangentially about my weight…so if you’re tired of hearing me talk about that, you’re probably better off stopping now. On the other hand, I will be tying it into writing, so it’s up to you.
I’ve (drumroll please) achieved the weight goal I set for myself lo these many months ago. (All the way back on Labor Day of 2008, I believe it was. Slow and steady…) I’ve lost between 70-80 pounds and overshot my goal of a size 14 by, let’s see, three or four sizes. Some of that was stress-related, yes. It’s been a stressful year or two. But most of it was acquiring healthier habits– watching what I ate and making exercise more of a priority. I found out halfway through that when I wasn’t miserable over crazymaking people, I didn’t want to eat to dull the misery. That revelation was accompanied by the fact that the steady work I’d been doing before then making exercise a priority actually started to pay off. Once I started seeing results, the whole world opened up, so to speak.
I’m choosing to be very proud of myself. It’s been a long, long road, but I’m glad I started, and I’m glad for everyone who supported me along the way, from my writing partner to my kids to my hairdresser friend C.
I’ve always been a big advocate of taking a brisk walk or blocking out a fight scene to shake things loose inside a story. Physical movement works very, very well for me when it comes to my creative process. The trouble was, for a very long time I hated working out–long, long story having to do with my aversion to anything resembling a team sport. I like to work alone, thank you. Now that I’ve arranged my life so that I can run on the treadmill every weekday morning, ALONE (I’m up to just over three miles again, every day), that time is some of the most productive I’ve ever had.
I’m not saying you have to run three miles or lose a good third of your bodyweight (ha ha) to have a sustainable creative career. I am saying that when you’re stuck working on a story, getting up and moving around for ten or fifteen minutes often unsticks the damn thing and gets the Muse off her couch and away from those damn bonbons. (Not so incidentally, this is another use for your trusty kitchen timer. Set it and move, and when you’re done, voila!)
We live a lot in our heads, we writers, and we tend to forget there’s a whole body carrying said head around. Getting up and getting the blood moving gives the Muse a fresh start on things. Never underestimate the power of ten jumping jacks, ten minutes shaking your booty to loud music, or a brisk ten-minute walk when characters aren’t behaving and the cursor starts blinking at you like Sauron’s Eye.
Just this morning I was brooding over a plot point, and fifteen minutes into my run–at about the first mile-mark–all of sudden the next third of the book opened up, complete with scenes and settings. It’s magic when it happens, and I spent the other two miles playing with it inside my head, fine-tuning. It was awesome. Of course, the cardio benefits aren’t bad either.
You don’t have to run flat-out. Another particular favorite of mine is putting on some music and dancing, awkwardly I’m sure, in my living room. Usually it’s a song from the “soundtrack” of the current book in progress, and it reliably shakes everything loose. I wouldn’t dance like a dork if it didn’t actually work 90% of the time.
Well, yeah, maybe I would. I’m funny that way. But I’m glad it works.
Over and out.