Great news! Death’s Excellent Vacation has just released!
“With an all-new Sookie Stackhouse story and twelve other original tales, editors Charlaine Harris and Toni L. P. Kelner bring together a stellar collection of tour guides who offer vacations that are frightening, funny, and touching for the fanged, the furry, the demonic, and the grotesque. Learn why it really can be an endless summer-for immortals.
My story, The Heart Is Always Right, focuses on an EvilMart checker…and a gargoyle who wants to go to Bermuda. I had a lot of fun writing it, and I’m thrilled to be in such a great anthology. It’s available at Barnes & Noble, Borders, Indiebound, Powell’s, Book Depository, and Amazon.
That’s the big news for today–and, of course, Jealousy is still out. I’m just now getting a swell of emails about it. The next book, Defiance, is tentatively scheduled for next spring. So it’s not that long of a wait, I promise.
A couple crunchy links today:
the Bookshop Blog on why the book hasn’t had its demise just yet. And Michael Bhaskar on the real cost of digital publishing:
The main argument for why royalties should be higher in digital seems to be that, given we don’t have a physical book, the costs to the publisher must be so much lower. This is very easy to answer. The per unit cost of printing a book is, in most cases, not where the majority of a publishers’ costs are directed. They are directed at overheads, at editorial and editorial management, at sales, marketing and publicity. Regardless of whether you have a print book or not, these costs are absolutely consistent. So really the only difference we can talk about is the marginal print cost difference, only a fraction of a book’s total cost.
Moreover there is then a whole new set of costs associated with digital. First, you need people, such as myself, to manage, develop and grow this new area and put in place the foundations for strong publishing companies that will last the next 50 years. Second, there is the cost of conversion of an ebook, which although small still has an impact if sales volumes are low, as they are for many ebooks. Third, there is then a host of distribution systems, business system upgrades and additions and new digital production software requiring investment. People might argue that this is a one-off cost, and once amortised should then be factored out. Yet this fails to understand the nature of most software agreements, which work as SaaS (software as a service) arrangements, whereby the software is leased on a usage fee basis. So in fact as time goes by and we use these new systems more, we will have to pay more, in absolute terms. Even basic technology can subsume surprisingly large chunks of income – DRM (Digital Rights Management) for example can eat as much as 7-9% of a book’s RRP, although this would usually not be felt by the publisher. (Bookbrunch)
I wish I could pound this into the head of everyone who says “But authors are greeeeeeedy because ebooks are cheeeeeap!” A quality ebook is not cheap to produce, kids.
Following up on yesterday’s “when students plagiarize”, today we have an article on when teachers cheat.
This morning was full of unpleasant business, but the sun has come out and all is well now. There are nice things about my life now, and the unpleasantnesses are getting further and further apart. It’s a good thing.
i hope your day is similarly perking up, dear Reader. Now it’s time for me to take a bunch of werwulfen through Central Park on a dare…